Launch of Wells, Graves and Statues

Any of you who follow me on twitter or Facebook  will know that Richard Scriven and I have  just finished writing  a book about pilgrimage  in Cork City called  Wells, Graves & Statues. Exploring the heritage and culture of pilgrimage in medieval and modern Cork City.



Its  been a really exciting journey, over the course of  our research we discovered a rich and complex range of pilgrimage sites within the city some of which we had not heard of before.  The pilgrim sites of Cork  stretch from medieval time down to the present with the  latest edition a labyrinth garden in the grounds of St Fin Barre’s Cathedral opening in 2015.  There is also lots of variety in the site types  that  include a  medieval cathedral, holy wells, medieval statues and graves.

The books came back from the printers last week.  There was a lot of anticipation and excitement opening the boxes , how does the book look ? will people like it?  Thankfully Richard and I were very pleased with the results. We are very thankful to all who helped us along the way, those who provided information and access to sites, commented on drafts of the book  etc.,

Our book would not have been possible without the help of  Cork City Council and  who provided funding through Cork City Council’s Heritage Publication Grant Scheme 2015. We would also like to thank Niamh Twomey the Heritage Officer, of Cork Citywho  provided great support and advice throughout this project.

On Wednesday night  our new book – Wells, Graves and Statues – was launched by the Bishop, Dr Paul Colton, in St Fin Barre’s Cathedral, Cork


St Fin Barre’s Cathedral image courtesy of Abarta Audio Guides

I can’t thank enough everyone who took the time to join us, family,  friends, history and pilgrimage enthusiasts,  some of whom traveled  from outside the county to be here. Their presence made it a wonderful event,

As the oldest pilgrimage site in Cork, St Fin Barre’s Cathedral was the perfect place to launch our book and we both feel very privileged and honored to have been given permission to host our launch here.   We could have not found a more splendid setting and all who attended the launch took time to explore and admire the interior of this magnificent building.

The event kicked off  with a welcome was given by the Dean of Cork, the Very Reverend Nigel Dunne.


The Very Reverend Nigel Dunne welcoming everyone to the launch.

The  book was then officially launched by Bishop Colton who gave a wonderful and entertaining speech.


Bishop Colton launching our book Wells Statues and Graves photo Neil Jackman

Launching the book Bishop Colton said:

‘This is a very readable book which draws deeply on our strong sense of place, not least in Cork. It is a multi–layered, interdisciplinary book which draws on the expertise of these authors – Richard and Louise – in their respective fields of geography and history, and archaeology and Celtic civilisation. More than that, there are impulses of theology, spirituality and folklore. Above all else, the book touches on that deep–seated nerve of the human spiritual quest on our journey through life.’

Richard and I  then said a few words about the history of pilgrimage at the cathedral, and the significance of the book.  The night concluded with tea  and biscuits  giving us a chance to chat to those who attended and sign a few books.


Richard and I presenting a copy of our book to Bishop Colton

I can not thank St Fin Barre’s Cathedral enough for making us feel so welcome and facilitating us on the night.

For any of you who missed the launch  our book is available  in a number of places around  Cork City & County:

Sunday’s Well Post Office

Liam Ruiséal Bookshop Oliver Plunkett Street

Beneditus Bookshop North Main Street

Midelton Bookshop

For those of you  outside of Ireland  our book  can be purchased through amazon (€), (£), or ($), and as an e-book on Kindle from (£) or ($)


Our website  Corkcitypilgrimage  will have regular updates relating to retailers and upcoming talks.


St Fin Barre’s Cathedral: unlocking the hidden meaning the western doorway

In June of this year I went on  a  tour of St Fin Barre‘s Cathedral in Cork.  This was an amazing experience. During the tour the symbolism  and the meaning  behind the carvings and statues of the building was explained and in turn I saw the building in a very different light.  I was so impressed  by the tour that I asked my guide  Martin Dier the Cathedral Administrator  to write a post  about the Cathedral.  So I am delighted to  introduce this guest post by Martin which focuses on the  central doorway of the west gable of the  building.

 St Fin Barre’s Cathedral the western portico doorway

The Cathedral of St. Fin Barre  is a masterpiece of engineering. It was created  by the famous British architect William Burges and built-in the Neo-Gothic style and completed in 1879.   The current building is the latest in series on the site, with early Christian roots going back 1400 years to the year 606AD. Tradition holds this was the site of an early monastic settlement of St Fin Barre.

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St Fin Barre’s Cathedral

The current building was built-in the style of the French  Gothic structures popular in medieval times. The Cathedral is unusual on many levels and importantly all of its designs spring from a single mind giving a uniformity of style, which few other Cathedrals can boast. Everything from the super structure to the stained glass, the door hinges to the communion table are all from Burges.

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Western gable of St Fin Barre’s Cathedral

Symbolism and hidden meaning

The secret language of symbolism is built into the fabric of the building and every part of the Cathedral is placed there for a reason, nothing is as it seems, nothing is random. There are several iconographic themes running throughout the building and the front of the building contains a wealth of symbolism that can be read like a book.

Looking at the magnificent western portico the eye is initially lost in the carvings, the tracery and the sculpture. However, if one pauses certain images will seem familiar and one thing leads to another which can lead one on a spiritual exploration of one’s own soul.

This post explores the central doorway in the western wall of the Cathedral which tells the tale  of the five wise and the five foolish virgins (Matthew 25:1-13) which relays the story of how living the wise and prudent life is rewarded in eternal life.

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Central doorway in the western wall depicting the story of the wise and unwise virgins.

This was a very popular story during the medieval period and had several mystery plays, carvings and works of art associated with it. The wise virgins all have their heads covered as a display of their purity and hold their lights aloft in flame. They are on the right hand side of the bride groom, the side associated with strength, virtue and favour.

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The five wise virgins on the right side of the doorway.


In contrast the foolish virgins are bare headed and look despondent after wasting all their oil for their lamps.

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Five foolish virgins on the left side of doorway.

The Virgins all stand on decorated pedestals. The  decoration in turn contains symbolism connected to the story. Beneath the feet of the first wise virgin the doors to the wedding party/heavens doors  are open.

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The pedestal under the feet of the 1st wise virgin  showing the doors to the wedding party/heaven are open.

In contrast the first  unwise virgin  (on the left hand side of the bride groom) stands on a pedestal which depicts the same doors  but this time it is closed. Indicating those who do not prepare for death and live just lives may find the gates of heaven closed to them.

FB 6The next niche on the side of the wise virgins  depicts a phoenix rising from the flames a symbol of resurrection and ever lasting life.


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Phoenix rising from the flames.

In contrast  on the left hand side of the bride groom the flames are crossed and inverted.

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Flames are crossed and inverted.

Then on the side of the wise you have the organ whilst on his left you have the music of the lute which is a frivolous “pub” type music, leading one away from salvation.

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The Organ.

Next on the side of the wise you have the pelican who in medieval mythology became a symbol for Christ as it was thought to prick its own breast to feed its blood to its offspring so that they might live.

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Pelican who in medieval mythology became a symbol for Christ.

This is contrasted with a locked treasure chest showing us that the way of the foolish leads us to the place where we become locked out of the treasures of heaven.

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Closed chest symbolising heaven being closed to the unworthy.

And finally on the side of the wise you have the cup of eternal life, the eternal spiritual food contrasted against the earthly bread and wine that when consumed do not satisfy the soul.

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The cup of eternal life under the feet of the 5th wise virgin.

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Earthly bread and wine under the feet of the last unwise virgin.


Standing  between  the wise and foolish  virgins is the figure of the bridge groom who symbolises Christ. His face is turned away from the foolish virgins.

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The imagery of death and judgement is  again picked up in the tympanum above the door with the dead rising from their graves and being met with life ever lasting on the side of the wise virgins or damnation on the side of the foolish. Notice the angles are helping those on the right rise to heaven while pushing those on the left into  hell.

The original idea by Burges was that the dead would be naked and that the fires of hell would be extending half way across the façade, but Victorian prudishness forced the fires of hell into a whisp of smoke and the dead to be fully clothed before judgement.

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Burges  originally designed the  tympanum so that the dead would be naked and that the fires of hell would be extending half way across the façade ( Sketch by Burges from the Cathedral Archives).


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Tympanum depicting the judgement of souls.

The place of this doorway in the west is also significant as the west-facing aspect of the carvings is also the direction in which the sun sets every night thus linking the idea of death and rebirth to the rhythm of the daily cycle.
The journey of the wise soul continues inside the building in an almost linear progression with the narratives in the windows from the old and new testaments illuminating the path to heaven which culminates at the high altar. Here the image of the fishing net is used to signify that heaven is like a net cast into the sea that gathers all types of fish/people (Matthew 13:47). The stylised fishing net not only shows the fish but the different classes of man from rich to poor.
So the exploration of ones soul progress from the outside to the inside and from judgement to salvation happens symbolically at the Communion Table through Christ who is again referenced in allegorical form as the fish.


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Mosaic beneath high altar

The above  text was written by Martin Dier.

This post highlights just one of the many  hidden themes that run through  this stunning building.  If you visit here and I hope you  will,  do consider taking a guided tour as it will  really bring the building to life.  Below are  the opening times and contact details for the cathedral.

Opening hours: 9:30 to 17:30 Monday-Saturday, 13:00 to 17:30 Sundays. Admission: €5/€4/€3 Group rates available.
Guided tours available too